Looking For The Forest (Must Be Somewhere Behind These Trees)

Despite the fact that everything from my website to my social media is tagged "Ellen Smith Writes," the truth is that I'm much more of an editor than a writer. ("Ellen Smith Edits" just didn't have the same ring to it ;) ) The first draft of anything I write, whether freelance or fiction, is generally pretty terrible. The first edit is a vast improvement simply because I go back and finish all my sentences! It takes several read-throughs--and often a few rewrites--before I'm ready to share anything I've written.

Editing is where I really see the difference in my work as a left-brained writer and a right-brained author. When I'm working on a freelance project, my editing process is very left-brained. I'll separate it into two phases: big-picture revisions and detail-oriented edits. First, I go through and make sure that the topic is clear, all the main points have been supported, and the paragraphs are in order. Then, I go back and delve into the nitty-gritty: grammar, spelling, and word choice.

Sounds nice and organized, doesn't it?

All that tidy left-brained thinking flies right out of my head when I start editing my fiction work. I'm too close to the story to see the big picture. I love these characters. I've replayed their struggles a hundred times in my imagination. I know this story inside and out. That makes it far too easy for me to obsess over the tiny details and miss the necessary big-picture revisions. As the saying goes, I can't see the forest for the trees. 

In my current work-in-progress, these are some of the "trees" I've been focusing on:

  • Are these sentences streamlined to pack a punch, or are they just short and choppy?
  • What gesture would this character make? Is she nervous or is she also a little annoyed?
  • Am I overusing all my favorite words? (it, heavy, glanced, sighed, and said)?

Meanwhile, here's the "forest":

  • Who are these characters--and what made them who they are?
  • What are the themes and messages in the story? Do they carry through?
  • Is this the best way I can possibly tell this story?

I'm at a point now in my work-in-progress where I've obsessed over every branch, twig, and leaf of each little tree. Still, I just don't feel quite right about this draft. I don't know if this story is fully told.

So there's one more thing I need to do before I send this out for beta readers and professional editing. I need to back up--wayyyyy up--and look at the big picture. I have to look for the whole forest, if you will.

It must be somewhere behind these trees. 

Looking for the forest (must be somewhere behind these trees) || ellensmithwrites.com